Afterword. "SVETL BROOM" IN A. KHATYBOV'S "BATH SCHOOL" AND A LABOUR SPADE. BOOK 5.

Feodor Shkrudnev. "SVETL BROOM" IN A. KHATYBOV'S "BATH SCHOOL" AND A LABOUR SPADE. BOOK 5. 5 contains the last clue to everything. In this world of ideas, always motionless in their foundations and always developing by means of inner self-opening, their great creator, the Human Mind, lives and dominates, which, in fact, is the subject of this book. And this world NO LONGER REFLECTS the phenomena that are passing by: it penetrates into what lies behind them and which, while remaining attainable for thinking only, produces and explains something attainable for sensations. That is why the WORLD of NATURE AND LIFE is so clear to people with a rough mind and so incomprehensible for the people with a deep and subtle mind. Whereas for the former everything is already clear, for the latter everything is still dark; for the former, there is nothing that would not be natural and ordinary; for the latter, every ordinary phenomenon is full of mystery; the former live neither wondering nor worrying, the life of the latter is a constant wonder of the incomprehensible and worry of the unknown, the essence of which is inexplicable to them, but the existence of which they firmly know. From this follows some mental indifference of the first and the thirst for knowledge of the second. Only those who follow this path are ready to “be surprised” and show anxiety after learning that the Russian language (as well as English) was “developed” 257 years before the birth of Alexander Pushkin , and from that point on the frequency balance of the living cells and bone resonators has been changed for the new structures. Here I repeat myself to make the previous chapter and some of my articles easier to understand. I am sure it will be useful for everyone who is able to “be surprised”. What is the peculiarity of the Russian language structure, or the language intended for subsequent use as a means of communication with the higher civilization? No other language can describe the musical series of the Shukhov tower, designed for the objects’ (UFOs) exit to work. 33 tower supports are consistent with 33 heroes in Pushkin’s poem, 33 years (cadence interval according to Meton). 33 letters (even after the reduction from the initial 49 letters down to 33) of the Russian alphabet make it possible to describe ANY NEW STRUCTURE and obtain an analysis of any code sequence. These changes were made throughout the Earth, but taking into account “local control structures”, such as, for example, in China, Japan, Korea. The structure of the thinking process in these countries using hieroglyphs differs from the generally accepted one. This is the structure of images, and changes in this structure that are not characteristic of the stereotype would have led to the destruction of a significant part of the Brain matrices, which was unacceptable at that time.