BOOK 2. THE BATH SCHOOL. N. LEVASHOV'S «SVETL BROOM» IN A. KHATYBOV'S «BATH SCHOOL» AND A LABOUR SPADE

F. Shkrudnev N. Levashov's "SvetL Broom" in A. Khatybov's "Bath School" and A Labour Spade 79 we'll see. The museum is also a form of getting people together, as the museum is the House of Muses – an organization (institution) engaged in the collection, study and storage of objects of natural history, material and spiritual culture, as well as EDUCATIONAL and POPULARIZING ACTIVITIES . This idea is not new, since right after Nicolai’s gone, some zealous "followers" started talking about opening a museum in France on the basis of a castle that belonged to Nikolai and Svetlana. There began making up plans, first taking into account their own interests, but it did not go further than idle talking. And, in the end, everything ended with the sale of the castle and the things that were there. But there were still photos, books, letters, projects and many things that the hands of this amazing Man touched. All this is kept by Nicolai's, mother Valentina Petrovna, and his brother, Vladimir. Exactly these people who came and come to see and help Valentina Petrovna gave rise to the idea of digitizing all the materials and on the basis to FOUND MUSEUM OF NICOLAI LEVASHOV. They are sure that there will be no refusal from Levashov's relatives . Of course, I have supported this undertaking, but suggested that emphasis should be made at the educational and popularizing activities – N. Levashov Museum – FOR THE PEOPLE as a PLACE OF COMMUNICATION AND COGNITION . I decided that I would hand to the museum photos and descriptions of those things of Nicolai, which for one reason or another "had come over to me." Of course, in this museum there will be a place for a story about "SvetL" Technologies , the story of their development, application, and judgment of people. I hope that much will be taken from this book, which I have written and which I am now supplementing and expanding. Finally it is necessary to understand that if we want to move forward in our knowledge of Levashov, then, first all, we must stop, comparing himwith